Catalogus
| Uitgever | Ainos |
|---|---|
| Jaar | 300 BC - 200 BC |
| Type | Standard circulation coin |
| Waarde | Chalkon (1⁄48) |
| Valuta | Drachm |
| Samenstelling | Bronze |
| Gewicht | 4.38 g |
| Diameter | 19 mm |
| Dikte | |
| Vorm | Round (irregular) |
| Techniek | Hammered |
| Oriëntatie | Variable alignment ↺ |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) | AMNG II#cf. 390-391, HGC 3.2#1292 |
| Beschrijving voorzijde | Laureate head of Apollo to right. |
|---|---|
| Schrift voorzijde | |
| Opschrift voorzijde | |
| Beschrijving keerzijde | Caduceus; to right, grape bunch. |
| Schrift keerzijde | Greek |
| Opschrift keerzijde | A I N I O N |
| Rand | |
| Muntplaats | |
| Oplage |
ND (300 BC - 200 BC) - - |
| Numisquare-ID | 4820488090 |
| Aanvullende informatie |
Historical Context: This bronze chalkon was issued by Ainos, a significant Thracian city, during the Hellenistic period (300-200 BC). This era, post-Alexander the Great, saw Thrace as a fiercely contested region among the Diadochi and local powers. The coin symbolizes Ainos's enduring civic autonomy and economic activity amidst geopolitical instability. Bronze coinage like this chalkon was vital for daily commerce, addressing local needs rather than imperial ambitions, thus underscoring the sustained importance of civic mints.
Artistry: The artistic style of this chalkon aligns with general Hellenistic numismatic trends, favoring naturalism. While specific engravers are typically anonymous for such bronze issues, the design invariably features key civic iconography. The obverse commonly depicts the head of Hermes, often wearing a petasos, honoring Ainos's patron deity. The reverse might show a goat or caduceus, symbols linked to Hermes or local prosperity. Despite its modest size, the execution aimed for clear, proportional representations, reflecting local die-cutting skill.
Technical/Grading: This bronze chalkon, at 4.38 grams and 19 millimeters, displays characteristics typical of Hellenistic bronze issues. High-points prone to wear include the highest relief areas of the obverse portrait, such as hair, forehead, and petasos details, along with intricate reverse motifs. Technical strike quality varies; bronze flans, often cast, could exhibit porosity, irregular shapes, or off-center strikes. A premium example would feature a complete, well-centered impression from both dies, minimal flan defects, and clear preservation of fine details.