カタログ
| 発行体 | Lakedaimon |
|---|---|
| 年号 | 48 BC - 35 BC |
| 種類 | Standard circulation coin |
| 額面 | Chalkon (1⁄48) |
| 通貨 | Drachm |
| 材質 | Bronze |
| 重量 | 1.23 g |
| 直径 | |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | BCD Peloponnesos#886-887 |
| 表面の説明 | Helmeted head of Athena facing right |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Owl standing right, head facing with the letters Λ-A and Φ-I across field. All within wreath |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (48 BC - 35 BC) - - |
| Numisquare ID | 4233117790 |
| 追加情報 |
Historical Context: This Chalkon, issued by Lakedaimon (Sparta) between 48 BC and 35 BC, originates from the tumultuous late Roman Republic. During this era, marked by Caesar's Civil War and the Second Triumvirate, Sparta functioned as a Roman client state. The issuance of this small bronze denomination underscores the continued need for local currency for daily transactions within the Peloponnese, reflecting Sparta's enduring, yet diminished, civic identity amidst Rome's growing hegemony.
Artistry: The engraver for this Chalkon remains anonymous, typical for minor bronze issues of the period. Stylistically, it aligns with late Hellenistic traditions, transitioning towards the utilitarian aesthetic of Roman provincial coinage. Given its diminutive size (1.23 gg), the design was necessarily simplified. Such issues typically featured a civic emblem or local deity on the obverse, with a more abstract symbol or monogram on the reverse, reflecting Spartan civic pride through traditional iconography.
Technical/Grading: As a small bronze Chalkon, the strike quality of BCD Peloponnesos#886-887 often presents challenges. High-points susceptible to wear include raised features of portraiture or central elements of symbolic devices. Technical strike qualities frequently vary; issues like slight off-centering, weak strikes from uneven pressure, or irregular flan shapes are common for these hastily produced minor denominations. Full detail and sharp edges are thus exceptional, with most examples showing some degree of flattening.