Catalogus
| Uitgever | Ekkarra |
|---|---|
| Jaar | 325 BC - 320 BC |
| Type | Standard circulation coin |
| Waarde | Chalkon (1⁄48) |
| Valuta | Drachm |
| Samenstelling | Bronze |
| Gewicht | 1.76 g |
| Diameter | 13.0 mm |
| Dikte | |
| Vorm | Round (irregular) |
| Techniek | Hammered |
| Oriëntatie | |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) | BCD Thessaly II#65.1, HGC 4#1, Rogers#207, BCD Thessaly I#1036 |
| Beschrijving voorzijde | Laureate head of Zeus facing left |
|---|---|
| Schrift voorzijde | |
| Opschrift voorzijde | |
| Beschrijving keerzijde | Artemis standing left, holding spear, quiver over shoulder |
| Schrift keerzijde | Greek |
| Opschrift keerzijde | ΕΚΚΑΡ ΡΕΩΝ |
| Rand | |
| Muntplaats | |
| Oplage |
ND (325 BC - 320 BC) - - |
| Numisquare-ID | 3904638550 |
| Aanvullende informatie |
Historical Context: The Ekkarra chalkon, minted 325-320 BC, emerges from the turbulent period following Alexander the Great's death. Thessaly, famed for its cavalry, was caught between competing Diadochi factions and Macedonian influence. While Ekkarra, a minor Thessalian city, lacked a singular dominant ruler, its bronze coinage signifies municipal autonomy and the need for small denomination currency to facilitate local commerce amidst broader geopolitical instability. It links directly to daily economic life in the early Hellenistic world.
Artistry: While no specific engraver is attributed to this small bronze, its design reflects prevalent Late Classical to early Hellenistic stylistic trends of Thessaly. Such issues typically feature a local deity, hero, or animal on the obverse, rendered robustly, characteristic of provincial mints. The reverse often displays a complementary symbol or an ethnic inscription, showcasing the city's identity. The execution, though perhaps lacking the intricate detail of major silver issues, captures essential iconography with directness.
Technical/Grading: Weighing 1.76 grams and measuring 13.0 mm, this chalkon is a diminutive but functional piece. High-points for grading typically include prominent features of the obverse portrait (e.g., hair, nose) or the highest relief elements of any reverse animal or symbol (e.g., mane). Technical strike qualities often vary; bronzes of this period frequently exhibit some off-centering, minor die wear, or slight porosity. A well-struck example shows a relatively centered design with clear details.