Catalogue
| Émetteur | Carnutes |
|---|---|
| Année | 40 BC - 30 BC |
| Type | Standard circulation coin |
| Valeur | |
| Devise | |
| Composition | Bronze |
| Poids | 2.8 g |
| Diamètre | 16 mm |
| Épaisseur | 1 mm |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | DT#2472, LT#5405 |
| Description de l’avers | Male head right. A beaded necklace in the hair. |
|---|---|
| Écriture de l’avers | Latin |
| Légende de l’avers | PIXILL |
| Description du revers | Facing bird with outstretched wings, head to the left, standing on a snake. The whole under the pediment of a temple. |
| Écriture du revers | |
| Légende du revers | |
| Tranche | |
| Atelier | |
| Tirage |
ND (40 BC - 30 BC) - - |
| ID Numisquare | 1679764900 |
| Informations supplémentaires |
Historical Context: Issued by the Carnutes, a prominent Gallic tribe, this bronze coin dates from 40-30 BC. This era immediately followed Caesar's conquest of Gaul, marking a complex transition before full Roman Principate. While under Roman dominion, the Carnutes retained some autonomy, minting coinage for local economic exchange. These issues subtly affirmed tribal identity amidst increasing Roman influence and profound societal changes. The absence of a specific ruler is characteristic of post-conquest Gallic mintages.
Artistry: The coin's design, featuring a bird within a temple, exemplifies late Gallic art. While the engraver is anonymous, the stylistic school is distinctly Celtic, prioritizing stylized forms over naturalism. The "temple" likely represents a local sacred structure, reflecting indigenous religious practices. The bird, possibly a sacred animal or deity, further underscores the tribe's spiritual beliefs. This unique iconography provides a valuable glimpse into Carnutian culture during a period of profound transition.
Technical/Grading: Struck in bronze, this 16 mm, 2.8-gram coin aligns with typical small Gallic issues. For optimal grading, collectors seek a well-centered strike with full detail on the bird and the temple's architectural elements, columns or roofline. Gallic bronzes often exhibit variable strike quality, with common issues including off-center strikes, uneven flans, and die wear. A specimen with sharp definition of the bird's features and clear articulation of the temple structure would be considered exceptional.