Catalog
| Issuer | Senones |
|---|---|
| Year | 100 BC - 52 BC |
| Type | Standard circulation coin |
| Value | |
| Currency | |
| Composition | Bronze |
| Weight | 3 g |
| Diameter | 16.3 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | DT#2631, LT#7565, GCV#144 |
| Obverse description | Head to the right, hair parted in large curls, pulled back; beaded circle. |
|---|---|
| Obverse script | Latin |
| Obverse lettering |
GIAMILOS (Translation: Winter.) |
| Reverse description | Bird on the left; behind, a pentagram and two ringlets centered. |
| Reverse script | Latin |
| Reverse lettering |
SIINV (Translation: Old.) |
| Edge | |
| Mint | |
| Mintage |
ND (100 BC - 52 BC) - - |
| Numisquare ID | 2451979360 |
| Additional information |
Historical Context: This bronze issue, bearing the names GIAMILOS and SIINV, originates from the Senones, a prominent Gallic tribe in central Gaul. Struck between 100 BC and 52 BC, it belongs to a tumultuous period culminating in Julius Caesar's conquest. The presence of distinct names reflects developing tribal administration and the increasing influence of individual leaders. This coin offers a tangible record of late Iron Age Gallic society and its economic evolution amidst growing Roman pressure.
Artistry: While the specific engraver remains anonymous, the coin's design exemplifies the late Celtic stylistic school. It features a highly stylized bird, a common motif in Gallic art, often imbued with symbolic or totemic significance. The obverse and reverse likely bear the names GIAMILOS and SIINV respectively, a relatively advanced feature for contemporary Gallic bronze coinage, indicating a move towards more personalized authority. The artistic execution, though distinctly Celtic, shows awareness of developing numismatic practices.
Technical/Grading: Measuring 16.3 mm and weighing 3 grams, this bronze coin is typical of late Gallic small change. Hand-striking methods often resulted in variable strike quality, including off-center strikes, minor planchet flaws, and uneven pressure. For optimal grading, collectors seek clear legibility of the names GIAMILOS and SIINV, well-defined details of the stylized bird, and a relatively centered strike. Full strikes with minimal wear are particularly desirable for this bronze type.