| توضیحات روی سکه | Shield with arms of France and Dauphiné. |
|---|---|
| خط روی سکه | Latin (uncial) |
| نوشتههای روی سکه |
✠ KAROLVS DALFInVS VIAnESI (Translation: Charles, Dauphin of Viennois.) |
| توضیحات پشت سکه | Cross with two lilies and two dolphins in angles. |
| خط پشت سکه | Latin (uncial) |
| نوشتههای پشت سکه |
✠ SIT NOMEN DnI BENEDITVM (Translation: Blessed be the name of our lord.) |
| لبه | |
| ضرابخانه |
Crémieu, France Romans-sur-Isère, France(1192-1554) |
| تیراژ ضرب |
ND (1417-1422) - (fr) Annelet 1er : Crémieu - ND (1417-1422) - (fr) Point 2e : Romans - |
| شناسه Numisquare | 1711776670 |
| اطلاعات تکمیلی |
Historical Context: The Blanc Guenar of Charles III, issued from Vienne in the Dauphiné between 1417 and 1422, marks a tumultuous period in French history. This era saw Charles, the Dauphin (later Charles VII), struggling to assert his legitimacy amidst the Hundred Years' War and the Armagnac-Burgundian civil conflict. Following the Treaty of Troyes in 1420, which effectively disinherited him, the Dauphiné became a crucial stronghold for his 'Kingdom of Bourges.' This coinage thus symbolizes his continued claim to the French throne from loyal territories, demonstrating an independent assertion of royal authority.
Artistry: Artistically, this Blanc Guenar exemplifies the late Gothic numismatic style prevalent in France. While specific engravers remain anonymous, the design typically features a prominent cross pattee on one side, often surrounded by an inscription detailing the ruler or mint. The reverse commonly displays a crowned shield, frequently bearing the arms of Dauphiné or France, rendered with characteristic angularity and stylized motifs of the period. The overall aesthetic prioritizes legibility of royal authority and religious symbolism over naturalistic representation, consistent with medieval minting practices.
Technical/Grading: Technically, specimens of this Blanc Guenar often exhibit characteristics typical of early 15th-century minting. Strike quality varies significantly, from relatively well-centered to noticeably off-flan, with uneven pressure leading to areas of flatness, particularly on the outer legends or finer details of the crown. The planchets are frequently irregular in shape and thickness, sometimes showing minor cracks or laminations inherent to the manual production process. High points, such as the central elements of the cross and the crown on the shield, are most susceptible to wear or weakness of strike.