カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Central device consisting of a large cross of the Order of Saints Maurice and Lazarus with trefoil terminals, set within an ornate double-curved vesica or oval frame. Small decorative fleurs-de-lis ornaments appear at the angles between the cross arms and the surrounding frame. The design is contained within a beaded inner border, with the circular legend running along the outer periphery, interrupted by the date and mint or engraver's letter. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Emanuele Filiberto introduced the bianco as part of a sweeping monetary reform launched after he regained control of Piedmont from France following the Treaty of Cateau-Cambrésis in 1559. Having spent most of his life in exile administering Habsburg territories, he returned determined to rebuild Savoy's financial infrastructure from scratch — new coinage, new mint organization, new standards. The bianco at 4 soldi was a workhorse denomination aimed at normalizing everyday commerce in territories that had been running on a chaotic mix of French, Spanish, and locally debased issues for decades.
The "1st type" distinction matters here: Emanuele Filiberto revised his coinage at least once during this period, and MIR 520 represents the earlier emission before those adjustments took effect.