Catalogus
| Uitgever | Talschaft of Uri |
|---|---|
| Jaar | 1569 |
| Type | Standard circulation coin |
| Waarde | 1 Batzen (3⁄40) |
| Valuta | Batzen (1548-1600) |
| Samenstelling | Silver |
| Gewicht | 2.65 g |
| Diameter | 26 mm |
| Dikte | |
| Vorm | Round |
| Techniek | |
| Oriëntatie | |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) | HMZ 1#2-979b |
| Beschrijving voorzijde | Eagle above arms. |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | MONETA + NO + VRANIENSIS + |
| Beschrijving keerzijde | Cross with ornamentation in angles within circle, date in legend. |
| Schrift keerzijde | Latin |
| Opschrift keerzijde | + SOLI + DEO + GLORIA + 69 |
| Rand | |
| Muntplaats | |
| Oplage |
1569 - - |
| Numisquare-ID | 4453507860 |
| Aanvullende informatie |
Historical Context: The 1569 Batzen from the Talschaft of Uri is a key monetary artifact from the Old Swiss Confederacy. During the late 16th century, an era of religious and political complexity, Uri, a staunchly Catholic canton, asserted its economic autonomy through independent coinage. This silver Batzen, a common fractional currency, was vital for daily transactions and regional trade, underscoring Uri's self-governance and its significant role within the confederation.
Artistry: While the specific engraver is unrecorded, the Batzen's design embodies late Renaissance aesthetics fused with traditional Swiss heraldry. The obverse typically presents the iconic Uri bull's head, symbolizing cantonal identity. The reverse commonly features a cross, often surrounded by a motto or religious inscription. The execution prioritizes clear legibility of the cantonal emblem and legends over intricate artistic flourishes, characteristic of the period's functional coinage.
Technical/Grading: This 26 mm, 2.65 gg silver Batzen was produced via hammer striking, leading to inherent variations. High-points for grading include the bull's snout and horns, the central elements of the cross, and the highest relief points of the legends. A strong strike ensures sharp details in these areas. Technical qualities often show some off-centering or planchet irregularities, typical of the era, but the silver composition generally allows for excellent detail preservation if not heavily circulated.