目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Jupiter standing left in a commanding pose, his nude or semi-draped figure rendered in the classical tradition. In his raised right hand he holds a thunderbolt, the quintessential attribute of the king of the gods, while his left hand bears a long vertical sceptre. The reverse legend, divided by the figure, identifies Jupiter as protector of the two Augusti, reflecting Diocletian's theological programme linking imperial power to divine patronage. The composition is set within a beaded border, with any mint mark or workshop designation appearing in the exergue. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | IOVI CONSERVAT AVGG -/-//- (Translation: Iovi Conservatori Duorum Augustorum. To Jupiter, protector of the two emperors (Augusti).) |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Diocletian's early gold coinage belongs to a transitional moment: the tetrarchic system was not yet formalized, and the aureus itself was about to be overtaken by the new argenteus and eventually the solidus. The IOVI CONSERVAT AVGG reverse — with its plural "Augustorum" — dates this piece to the period when Maximian had already been elevated co-emperor, narrowing the window to post-286. Jupiter's role as divine protector of the emperors was not decorative theology; Diocletian styled himself Iovius and Maximian Herculius, a theological fiction that grounded the entire legitimacy of dual rule in cosmic hierarchy.