کاتالوگ
| صادرکننده | Coropissus |
|---|---|
| سال | 147-175 |
| نوع | Standard circulation coin |
| ارزش | Assarion (0.1) |
| واحد پول | Drachm |
| ترکیب | Bronze |
| وزن | 4.11 g |
| قطر | 20 mm |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | Coin alignment ↑↓ |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | RPC Online IV.3#9259, SNG Levante#586 |
| توضیحات روی سکه | Draped bust of Faustina II, right. |
|---|---|
| خط روی سکه | Greek |
| نوشتههای روی سکه | ΦΑΥϹΤΙΝΑ ϹΕΒ |
| توضیحات پشت سکه | Turreted and draped bust of Tyche, right. |
| خط پشت سکه | Greek |
| نوشتههای پشت سکه | ΚΟΡΟΠΙϹΕωΝ |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (147-175) - - |
| شناسه Numisquare | 1729479770 |
| اطلاعات تکمیلی |
Historical Context: This bronze assarion, issued by the city of Coropissus in Lycaonia between 147 and 175 CE, features Faustina II, daughter of Antoninus Pius and wife of Marcus Aurelius. Her extensive coinage reflects her prominent role as Augusta, embodying imperial virtues and ensuring dynastic continuity. Local issues like this provided essential small change for the daily commerce of cities in Asia Minor, demonstrating their civic autonomy under Roman rule and their participation in the imperial cult, crucial for economic stability and imperial integration.
Artistry: The design adheres to the provincial Roman stylistic school prevalent in Asia Minor during the Antonine period. While specific engravers remain anonymous, the artistry likely reflects local workshops, blending traditional Hellenistic portraiture with Roman imperial iconography. The obverse typically presents a draped bust of Faustina II, rendered with varying degrees of realism and idealization. The reverse, bearing the city's name ΚΟΡΟΠΙϹΕωΝ, would feature a local deity or civic emblem, embodying Coropissus's unique cultural and religious identity.
Technical/Grading: Struck on a bronze flan weighing 4.11 grams and measuring 20 millimeters, the technical execution of such provincial issues can vary significantly. High-points on the obverse typically include Faustina's elaborate coiffure, nose, and chin. On the reverse, details of the central motif would constitute the highest points. A well-struck example would exhibit full legend clarity, sharp facial features, and distinct reverse imagery, though weak strikes, minor off-centering, and planchet irregularities are common for this series.