| 発行体 | Calagurris |
|---|---|
| 年号 | 27 BC - 14 AD |
| 種類 | Standard circulation coin |
| 額面 | As (1⁄16) |
| 通貨 | Denarius (49 BC to AD 215) |
| 材質 | Bronze |
| 重量 | 11.3 g |
| 直径 | 29 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | RPC Online I#441, Vives#158-8, Hill1#36-5, GMI#688, NAH#975 |
| 表面の説明 | Laureate head of Augustus right. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | MV CAL IVLIA AVGVSTVS |
| 裏面の説明 | Bull right. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | L BAEB PRISCO II VIR C GRAN BROC |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (27 BC - 14 AD) - - |
| Numisquare ID | 2008076320 |
| 追加情報 |
Historical Context: This bronze As was issued by the Roman colony of Calagurris (modern Calahorra, Spain) during the reign of Augustus (27 BC - 14 AD). This era marked the consolidation of the Roman Empire and the Pax Romana. Such provincial issues served essential local economic functions, propagating imperial iconography and affirming Roman authority in newly integrated territories. The coin bears the names of the local magistrates, L. Baebius Priscus and C. Granius Brocchus, the duoviri responsible for its production, highlighting the interplay between imperial power and local civic administration.
Artistry: The design reflects the pervasive influence of Augustan imperial iconography, adapted by local engravers in Calagurris. While specific engravers are unknown, the style aligns with Roman provincial coinage, characterized by a recognizable, if sometimes less refined, portraiture of Augustus. The obverse typically features a laureate head of the emperor, projecting his divine and military authority. The reverse, often displaying the names of the duoviri, would have conveyed local civic pride and loyalty, likely alongside an imperial or local emblem, reinforcing the colony's status within the Augustan order.
Technical/Grading: Struck on a substantial bronze flan, typical for an Augustan As at 11.3 grams and 29 millimeters, this coin often exhibits characteristics common to provincial issues. High points on the obverse portrait would include the brow, nose, and the individual leaves of the laurel wreath. Strike quality can vary, with examples sometimes showing minor off-centring or areas of weaker impression, particularly on