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| 正面描述 | Degraded bust or figure in profile occupying the central field, rendered in a schematic, highly abstracted style characteristic of post-Sasanian Indo-Arab coinage of Sindh. The design derives ultimately from Sasanian royal portraiture, though the iconographic details are reduced to stylised linear strokes. The flan is irregular and slightly ragged at the edges, consistent with hand-struck silver damma production. Traces of a radiating or flame-like nimbus surround the central motif. The field is otherwise plain and unadorned. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | Plain |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
The damma was the fractional silver unit that sustained everyday commerce across early medieval Sindh, a region whose trade networks stretched from the Arabian Peninsula into the subcontinent's interior long before the Umayyad conquest of 711 AD. Prachandentra issues predate that conquest, placing this piece in the last generations of independent Hindu rule in the lower Indus valley — a political order that collapsed with remarkable speed once Muhammad bin Qasim's forces crossed the region.