Catalogue
| Émetteur | City of Zürich |
|---|---|
| Année | |
| Type | Standard circulation coin |
| Valeur | 1 Angster (1⁄432) |
| Devise | Thaler (1621-1651) |
| Composition | Billon |
| Poids | 0.19 g |
| Diamètre | 14 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered (bracteate) |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | HMZ 2#1158a |
| Description de l’avers | Ornate coat of arms between rosettes, Z above |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | Z |
| Description du revers | Incuse of obverse. |
| Écriture du revers | |
| Légende du revers | |
| Tranche | |
| Atelier | |
| Tirage |
ND - - |
| ID Numisquare | 6236237570 |
| Informations supplémentaires |
Historical Context: The Angster, issued by the City of Zürich, was a fundamental component of its medieval and early modern monetary system. While the precise year for HMZ 2#1158a is unstated, this billon denomination was produced from the 15th to 17th centuries, providing essential small change for daily commerce within the mercantile republic. Its issuance highlights Zürich's economic autonomy and its need to facilitate local trade with a stable, low-value currency, crucial for a growing urban population.
Artistry: The engraver for this common, low-denomination issue is invariably anonymous, reflecting functional rather than artistic priority. Stylistically, the Angster aligns with pragmatic numismatic art prevalent in Swiss cantons. The design, typically featuring the Zürich lion rampant, is highly stylized and compact, dictated by the diminutive 14mm flan. Details are reduced to essential forms, emphasizing legibility of the primary civic emblem over intricate artistic expression, a hallmark of early municipal coinage.
Technical/Grading: Given its billon composition and minute dimensions (0.19 gg, 14 mmmm), the Angster commonly exhibits technical challenges. High-points for a lion rampant design include the lion's head, forelegs, and tail, frequently weak or incomplete. Strikes are often soft, off-center, or show planchet irregularities typical of mass-produced small change. A fully struck example with complete legends and a well-defined central motif is exceedingly rare, as most circulated heavily, displaying significant wear and production flaws.