目录
为什么需要注册?只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证!
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Saint Eugenios, the patron saint of Trebizond, depicted on horseback in right-facing profile, holding an upright cross in his extended hand. The figure of the equestrian saint is rendered in the highly stylized, linear manner characteristic of Trapezuntine aspers, with the horse's legs and body outlined in bold relief against the flat field. Greek abbreviated lettering appears in the surrounding field identifying the saint. A beaded border frames the composition, and the flan exhibits the irregular, spread form typical of hammered coinage of this period. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | Plain |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Alexios IV ruled Trebizond through a period of acute pressure from the expanding Ottoman sultanate, paying tribute to Mehmed I while simultaneously cultivating ties with Venetian merchants whose Black Sea trade kept the empire economically viable. The asper was the engine of that commerce — a denomination trusted by Genoese and Venetian factors who handled it alongside coins from half a dozen competing powers in Trebizond's busy port.
Retowski's classification of this type, published in 1905 and still the foundational reference for Trapezuntine coinage, drew heavily on a handful of institutional collections; well-attributed examples remain genuinely scarce in the trade.