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| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Reverse entirely anepigraphic, presenting a plain, uninscribed cast bronze surface mirroring the obverse in form and finish. The face displays a similarly heavy patination of grey-green and brown encrustations, with no trace of any design, inscription, or symbolic device. Minor surface irregularities and casting pits are visible, consistent with primitive open or two-part mold casting methods employed in pre-monetary central Italy. The chisel-shaped outline remains clearly defined despite the advanced surface corrosion. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | Plain |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Before Rome standardized coinage, the Italian peninsula used irregular cast or worked bronze by weight — aes rude and its more refined successors — as the primary medium of exchange. Aes formatum represents an intermediate step: bronze worked into rough bar or chisel shapes, still exchanged gravimetrically rather than by face value. The chisel form in particular appears concentrated in central Italian hoards, suggesting regional preference rather than any centralized issuing authority.
No mint controlled this material. Its date range spans Rome's First and Second Punic Wars, yet it predates the Roman monetary system that those wars ultimately accelerated into existence.