目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | Greek |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Emperor, identified tentatively as Caracalla or Geta, depicted in full military attire with paludamentum billowing behind him, mounted on a horse prancing to the right. The rider raises a spear in his right hand, directed toward a fallen or advancing enemy figure below, whose head is turned to the left in submission or defiance. The composition follows the standard imperial equestrian triumph type common to Ephesian provincial bronzes of the Severan dynasty, with bold, vigorous modelling of both horse and rider. The reverse legend encircles the scene, proclaiming the city's double neocorate status. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Ephesus held the title of neokoros — temple warden — twice by the reign of Septimius Severus, and the city was aggressively protective of that status. The Β ΝΕΟΚΟΡΩΝ designation on this issue is civic propaganda as much as honorific, a direct assertion of Ephesus's rank above rival cities in the conventus who were competing for the same imperial cult privileges. Smyrna and Pergamon pressed hard during this period, and the title hierarchy mattered enormously for tax status, judicial precedence, and the right to host imperial games.
Bronze provincials of this module from Ephesus are notoriously inconsistently struck, with die alignment varying widely across the series.