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| 正面描述 | Draped bust of Empress Tranquillina facing right, her hair elaborately waved and bound with a diadem, rendered in the provincial workshop style characteristic of Phrygia under Gordian III. The effigy is set within a circular field bordered by a Greek legend running around the periphery. The portraiture displays the softly modelled features typical of mid-third-century Roman provincial coinage, with visible drapery folds at the truncation. |
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| 正面文字 | 登录 以查看详情 |
| 正面铭文 | ΦΟΥ ϹΑΒ ΤΡΑΝΚΥΛΛΙΝΑ (Translation: Furia Sabina Tranquillina) |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Cadi was a small Phrygian city within the Sardis conventus whose civic coinage under Gordian III frequently names local magistrates — here Aurelius Kleopatoros, serving as archon for a second term. The retention of the magistrate's name across multiple issues was a deliberate act of civic self-promotion, embedding local elite identity into the imperial bronze supply. Gordian's reign itself was cut short in 244 when his Praetorian prefect Philip the Arab engineered his death on campaign against Persia, ending one of the more productive periods for Phrygian civic bronzes.