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Æ29 - Gordian III ΜΗΤΡΟΠΟΛΕΙΤΩΝ ΤΩΝ ΕΝ ΙΩΝΙΑ

Uitgever Metropolis (Ionia) (Conventus of Ephesus)
Jaar 238-244
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Bronze
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Schrift voorzijde Log in om details te zien
Opschrift voorzijde ΑΥΤ Κ Μ ΑΝΤ ΓΟΡΔΙΑΝΟϹ
(Translation: Emperor Caesar Marcus Antonius Gordianus)
Beschrijving keerzijde Two standing figures face one another in a dexiosis scene: a heroised founder figure, identified as the city hero of Metropolis, stands at left holding a long spear upright in his left hand, while the personification of the Boule (city council) stands at right bearing a sceptre. The two figures clasp right hands at centre in a formal gesture of civic concordance. The composition is rendered in the standard Hellenistic-Roman provincial style, with both figures shown in full-length robes, and the legend disposed around the periphery of the field.
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

Metropolis in Ionia was a minor city that punched above its weight in the provincial bronze series precisely because of the title embedded in its coin legends — ΜΗΤΡΟΠΟΛΕΙΤΩΝ ΤΩΝ ΕΝ ΙΩΝΙΑ, asserting metropolitan status within Ionia, a claim that put it in direct symbolic competition with Ephesus and Smyrna. Whether that title reflected an actual civic grant or was a piece of aspirational self-promotion remains debated. Gordian III's reign produced a notable surge in provincial issues across the Ephesian conventus, partly tied to his Parthian campaign fundraising and the political theater of a teenage emperor needing visible legitimacy from eastern cities.

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