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Æ29 - Gordian III ΕΦΕϹΙΩΝ ΚΑΙ ΑΛΕΞΑΝΔΡΕΩΝ ΟΜΟΝΟΙΑ

Uitgever Ephesus (Conventus of Ephesus)
Jaar 238-244
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht 11.47 g
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Laureate, draped, and cuirassed bust of Emperor Gordian III facing right, portrayed in three-quarter rear view, with paludamentum visible at the shoulder. The emperor's youthful effigy is rendered in the typical provincial style of the Ephesian mint, with carefully detailed laurel wreath and military attire. The encircling Greek legend runs along the periphery of the flan. The flan is slightly irregular, consistent with provincial hammered bronze coinage of the mid-third century AD.
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Log in om details te zien
Schrift keerzijde Greek
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

Homonoia coinage — struck to commemorate a formal alliance or goodwill agreement between two cities — was a well-established honorific tradition in the Greek east, and the pairing of Ephesus with Alexandria is among the more geographically ambitious examples. These weren't symbolic gestures; they typically accompanied genuine diplomatic or commercial arrangements, and the combined prestige of Asia's premier harbor city and Egypt's great metropolis made the pairing politically legible across the eastern Mediterranean.

The Gordian III period saw a surge in such civic alliance issues, partly because provincial cities exploited the rapid imperial succession of the late 230s to reassert local influence through public display.

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