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| 正面描述 | Bare-headed bust of Antinous facing right, rendered in the characteristic idealized Hellenistic style associated with his posthumous heroic portraits. The youthful effigy displays the distinctive full, wavy hair and fleshy features typical of Antinous iconography on provincial bronzes. The Greek legend ΑΝΤΙΝΟΟϹ ΗΡΩϹ, designating him as a hero, is disposed around the periphery of the field. The portrait reflects the official heroizing imagery promoted by Hadrian following Antinous's deification after his death in 130 AD. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | ΑΝΤΙΝΟΟϹ ΗΡΩϹ |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Stratonicea-Hadrianopolis occupies one of the stranger entries in the administrative geography of Roman Asia Minor. The city was a Hadrianic double-foundation — or more precisely, a refoundation and renaming of an existing Lydian settlement — that fused two civic identities into a single entity as part of Hadrian's well-documented program of urban patronage across the Greek East during his 123–124 and 128–129 tours of the region. The unwieldy compound ethnic on this bronze, ΑΔΡΙΑΝΟΠΟΛΕΙΤΩΝ ϹΤΡΑΤΟΝΕΙΚ, reflects exactly that administrative awkwardness, with neither name willing to fully yield to the other.
Civic bronze of this mint is scarce in any systematic reference, and the conventus attribution to Pergamum places it within the wealthiest administrative district of the province of Asia.