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| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Heracles depicted nude, striding vigorously to the right in a dynamic composition, grasping the horn of the Cretan Bull with his right hand in reference to his Seventh Labour. The muscular figure of the hero dominates the reverse field, conveying strength and divine power. The ethnic legend of the issuing city is inscribed in the field or around the periphery. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | ΝΙΚΑΙΕΩΝ (Translation: of the Nicaeans) |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Nicaea's civic bronze issues under Caracalla were produced during a period when Bithynian cities competed aggressively for imperial favor, particularly after Caracalla's reorganization of provincial administration following his murder of Geta in 212. The city had held the title of metropolis in ongoing rivalry with Nicomedia, and imperial portrait coinage functioned partly as a demonstration of that status — placing the emperor's image on local bronze was as much a civic political act as a monetary one.
The reference V.2#80295 places this within Waddington's corpus, where Nicaean bronzes of this reign show considerable die variation across emissions.