目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | Draped bust of Empress Crispina facing right, her hair elaborately coiffed and waved, secured with a diadem, rendered in the court portrait style typical of the Antonine period. The effigy is depicted with the characteristic layered drapery falling over the shoulder. The circular Greek legend surrounds the portrait within a beaded border. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | Greek |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Magnesia ad Sipylum held an unusual civic pride rooted in mythology rather than history — the city claimed to be the site of Niobe's petrification, a local identity strong enough to survive centuries of Hellenistic and Roman overlordship. The magistrate name preserved in the legend, Aelius Quadratus, anchors this piece to a specific administrative moment in the early reign of Commodus, shortly after his accession following Marcus Aurelius's death in March 180.
Provincial bronzes from the Smyrna conventus were adjudicated through the assize system, meaning local issues required implicit Roman sanction while still serving purely regional circulation.