Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Colophon (Conventus of Ephesus) |
|---|---|
| Year | 98-117 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | RPC III#2006 |
| Obverse description | Log in to see details |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | ΑΥ ΚΑΙ ΘΕΟΥ ΥΩ ΝΕΡΒΑ ΤΡΑΙΑΝΟϹ ϹΕΒ ΓΕΡΜ (Translation: Emperor Caesar Nerva Trajan Augustus Germanicus, son of a god) |
| Reverse description | Log in to see details |
| Reverse script | Greek |
| Reverse lettering | Log in to see details |
| Edge | Log in to see details |
| Mint | Log in to see details |
| Mintage | Log in to see details |
| Additional information |
Colophon had long staked its identity on the sanctuary at Claros, where the oracle of Apollo drew delegations from across the Greek world well into the imperial period. The city's decision to emphasize Artemis Klaria on civic bronze under Trajan — rather than Apollo himself — likely reflects local cult politics rather than imperial directive. Claros was technically just outside Colophon's walls, and the city's assertion of ownership over both deities was a recurring source of civic pride and, periodically, dispute with neighboring Notion.