Catalogus
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| Uitgever | Argos (Achaea) |
|---|---|
| Jaar | 117-138 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Round (irregular) |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | ΑΥΤ ΑΔΡΙΑΝΟϹ ΚΤΙϹΤΗϹ (Translation: Emperor Hadrian the Founder) |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Plain |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Argos held an unusual position under Roman rule — nominally free as part of the Achaean province, yet deeply integrated into imperial cult infrastructure. Issues bearing Hadrian's name from Argos reflect his well-documented personal attachment to Greece; he visited the region multiple times and was initiated into the Eleusinian Mysteries, making him arguably the most philhellenic emperor to sit on the throne. Local bronze like this circulated within a civic economy that Rome largely left to manage itself.
The reference III#341 places this within a series tied to Argive civic bronzes catalogued under the province, though die matches across surviving specimens are infrequent enough to suggest limited original production.