目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | Bare-headed, draped and cuirassed bust of Geta as Caesar facing right, seen from the rear, with curly hair rendered in fine detail. The legend encircles the bust in Greek characters, identifying the subject as Publius Septimius Geta in his capacity as Caesar. The portrait displays the youthful features characteristic of Geta's early representations on provincial coinage. The workmanship reflects the provincial die-cutting tradition of Heraclea Pontica. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | ND (193-211) |
| 附加信息 |
Heraclea Pontica had a complicated relationship with Rome through the Severan period — the city had been a free municipality since Pompey's reorganization of the Pontic region in 64 BC, and that autonomous status shaped how local magistrates chose to present imperial authority on civic bronze. The regional mint was not under direct Roman administrative control, which gave the city unusual latitude in how it commemorated emperors whose legitimacy was still being consolidated through civil war.
Septimius Severus only secured undisputed control after defeating Pescennius Niger at Issus in 194 AD, a battle fought less than 400 kilometers from Heraclea's sphere of commercial influence.