Catalogus
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| Uitgever | Nicomedia (Bithynia and Pontus) |
|---|---|
| Jaar | 161-180 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Bronze |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Greek |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Plain |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Nicomedia jealously guarded its neokorate status — the civic honor of serving as official keeper of an imperial temple — and broadcast it relentlessly on its coinage during the Antonine period. The ΝΕΩΚΟ legend here is a direct assertion of that privilege, likely tied to the city's rivalry with Nicaea, which contested Bithynian primacy for generations. ΟΜΟΝΟΙΑ types were frequently issued as a diplomatic gesture between competing cities, or as a unilateral claim to regional harmony under one city's leadership.
The reign of Marcus Aurelius saw a surge in such civic bronze issues across the eastern provinces, partly because imperial attention was stretched thin between the Parthian wars and the Marcomannic frontier.