See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

Æ24 - Marcus Aurelius ΙΟΥΛΙΕΩΝ ΓΟΡΔΗΝΩΝ

Issuer Iulia Gordus (Conventus of Sardis)
Year 161-169
Type Log in to see details
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Weight Log in to see details
Diameter Log in to see details
Thickness Log in to see details
Shape Round (irregular)
Technique Log in to see details
Orientation Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Log in to see details
Obverse script Log in to see details
Obverse lettering Log in to see details
Reverse description Hades, standing upright in a galloping quadriga advancing to the right, turns his head back to the left while grasping a sceptre in one hand and struggling to restrain Persephone with the other arm in the mythological scene of the Rape of Persephone. Beneath the hooves of the four horses lies an overturned kalathos from which flowers spill into the exergual field, alluding to the meadow of Nysa where the abduction took place. The reverse legend identifying the civic authority of Iulia Gordus is distributed around the composition in Greek characters.
Reverse script Log in to see details
Reverse lettering Log in to see details
Edge Plain
Mint Log in to see details
Mintage Log in to see details
Additional information

Iulia Gordus, a minor Lydian city in the Hermus valley, struck bronze civic coinage during the reigns of several emperors but aligned its issues closely with moments of imperial favor. The city's ethnicon ΙΟΥΛΙΕΩΝ ΓΟΡΔΗΝΩΝ — distinguishing it from other Gordos-named settlements — reflects a Julian foundation claim, likely traced to Augustan-era colonial reorganization of the conventus under Sardis.

The dating to 161–169 places this piece within the early co-reign of Marcus Aurelius and Lucius Verus, though Gordus issues from this window naming Marcus alone suggest the city's moneyers exercised selective flattery.

YOU MAY ALSO LIKE