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Æ24 - Marcus Aurelius ΜΗΤ ΝΕΩ ΝΕΙΚο (Η)

Uitgever Nicomedia (Bithynia and Pontus)
Jaar 175-177
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Bronze
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Youthful bare-headed bust of Commodus, draped in cuirass and paludamentum, facing right; the portrait displays tightly curled hair rendered in the characteristic Antonine style. A circular Greek legend surrounds the effigy, enclosed within a beaded border. A circular hole, pierced post-mint near the lower centre of the flan, indicates later use as a pendant or suspension piece.
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Λ ΑΥΡ ΚοΜοΔοϹ Κ
Beschrijving keerzijde Log in om details te zien
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

The title sequence ΜΗΤ ΝΕΩ ΝΕΙΚο on Nicomedian bronzes reflects the city's long and bitter rivalry with Nicaea over honorific titles granted by Rome. Nicomedia held the title of "first city" of Bithynia, a distinction Nicaea contested aggressively throughout the second century — the dispute was still active enough that Pliny the Younger wrote to Trajan about it decades earlier. These municipal vanities were taken with complete seriousness, and the precise arrangement of honorific abbreviations on local bronze issues was a deliberate civic statement.

The 175–177 window likely places production after Marcus Aurelius's return from the Eastern campaign and the suppression of the Avidius Cassius revolt.

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