目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Nude figure of Apollo standing to the left, his right foot placed upon an omphalos, leaning forward with his elbow resting upon his raised knee in a contemplative pose. The god holds a laurel branch in his extended hand, a hallmark attribute of his role as deity of prophecy and the arts. The composition reflects the strong local veneration of Apollo at Alexandria Troas, the colonial mint city. The colonial legend COL AVG TROAD is distributed in the field around the figure, affirming the city's status as a Roman colony. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Alexandria Troas was a Roman colony — Colonia Augusta Troadensis — established under Augustus, which gave the city the unusual right to mint coins using Roman colonial conventions rather than Greek civic types. That colonial status is precisely why this issue exists: the city maintained active bronze production through the Severan period partly to fund and advertise its status as a Roman foundation in a predominantly Greek provincial region. Caracalla's reign saw a broad surge in colonial mint activity across Asia Minor, much of it tied to the fiscal disruptions following his father Septimius Severus's eastern campaigns.