Catalogus
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| Uitgever | Ilium (Conventus of Adramyteum) |
|---|---|
| Jaar | 193-211 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Round (irregular) |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Greek |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | ND (193-211) |
| Aanvullende informatie |
Ilium — the Roman city built over the ruins of Troy — leveraged its mythological pedigree aggressively under the Severan dynasty, and Septimius Severus was a willing audience. The emperor traced his family's divine lineage through Aeneas and actively cultivated ties with cities that could reinforce that narrative. Scamander, the river god of the Troad, appears on civic bronzes from Ilium precisely because the city was marketing its Homeric geography to imperial patrons who had strong reasons to care.