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| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Hermes depicted standing to the left in a relaxed contrapposto pose, nude save for his chlamys, extending a purse in his right hand and holding a caduceus upright in his left. The figure is rendered in the Hellenistic tradition typical of Bithynian civic bronzes, with the deity's attributes clearly delineated despite the worn strike. The ethnic legend of the city of Prusa ad Olympum encircles the type in the field. |
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| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | Plain |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Prusa ad Olympum — modern Bursa, at the foot of Mount Uludağ — was a modest Bithynian city with an outsized pride in its Olympian identity, and its civic bronzes under Philip I reflect a mint operating well within established regional conventions. Philip's reign, though brief, coincided with the empire's anxious adjustment following Gordian III's death on the Persian frontier, and provincial mints across Asia Minor continued issuing civic coinage with relatively little disruption during his five years in power.
The city lost its right to strike autonomous bronze coinage not long after this period, as the third-century crisis progressively curtailed civic minting across Bithynia.