Catalogus
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| Uitgever | Ephesus (Conventus of Ephesus) |
|---|---|
| Jaar | 117-138 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Round (irregular) |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Greek |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Ephesus |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Ephesus held the title neokoros — warden of the imperial cult temple — multiple times over, and civic bronze issues like this one served partly as assertions of that status during Hadrian's reign, a period when the emperor actively courted the Greek east through monumental building programs and personal philhellenism. Hadrian visited Ephesus directly, and the city leveraged his patronage aggressively in its rivalries with Smyrna and Pergamon over provincial precedence.
The Artemision at Ephesus remained one of the most economically significant religious institutions in the Roman world, functioning as a bank and sanctuary simultaneously.