カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Zeus Lydios standing left in a frontal pose, his head turned slightly, holding an eagle in his right hand and a long sceptre in his left. The figure is depicted in a static, hieratic stance typical of civic bronze coinage from Lydia under the Antonine emperors. The Greek ethnic legend TΡIΠOΛEITΩN is arranged around the field, identifying the issuing city of Tripolis. The overall execution reflects competent but unpretentious provincial die-cutting. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ND (138-192) |
| 追加情報 |
Tripolis on the Maeander — distinct from the better-known Phoenician city — was a Lydian town whose civic bronze issues under the Antonine emperors reflect a period of municipal self-promotion through coinage rather than any pressing economic need. The city shared its river valley with Hierapolis and Laodikeia, and the three towns were closely enough linked that scholars have occasionally disputed attribution of poorly documented bronzes among them. GRPC Lydia 1#8 places this piece firmly within the Tripolitan series, though die-linked specimens remain sparsely documented in major collections.