カタログ
| 表面の説明 | Laureate head of Emperor Commodus facing right, rendered in the provincial Greek style characteristic of eastern Roman client kingdoms. The portrait displays the emperor's characteristic features with a dotted border encircling the flan. A partial Greek legend runs around the periphery, reading ]ΛΙΟC ΚΟΜΟΔΟC CЄ, representing an abbreviated form of the imperial titulature. The die work, though modest in execution, clearly conveys the imperial effigy in conformity with Antonine-era portraiture conventions. |
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| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ]ΛΙΟC ΚΟΜΟΔΟC CЄ |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
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| 追加情報 |
Osroene occupied a strategically uncomfortable position between Rome and Parthia, and its rulers spent much of the second century performing careful acts of political theater to avoid being absorbed by either. Abgar VIII — sometimes called "the Great" — managed this balance with unusual skill, maintaining nominal autonomy while acknowledging Roman supremacy. The joint issue with Commodus dates to a period when Abgar had recently consolidated local power, and the pairing of a client king with the reigning emperor on a provincial bronze was a calculated public statement of loyalty, not a routine administrative act.
Edessa, the Osroënian capital, would later become the first city whose ruling dynasty formally adopted Christianity — though that came after this coin's time.