Æ Tetradrachm - Attambelos IV

Emitent Characene, Kingdom of
Rok 60-62
Typ Standard circulation coin
Hodnota Tetradrachm (4)
Měna Drachm
Složení Bronze
Hmotnost 15.47 g
Průměr
Tloušťka
Tvar Round (irregular)
Technika Hammered
Orientace Medal alignment ↑↑
Rytci
V oběhu do
Reference BMC Greek#5
Popis líce Head right, diademed, medium beard.
Písmo líce
Opis líce
Popis rubu Heracles seated left, holding club grounded with left hand; monogram (Dobbins #8) above right extended arm, below arm a letter (Dobbins #3); date in exergue.
Písmo rubu
Opis rubu
Hrana
Mincovna
Náklad ND (60-62) - -
ID Numisquare 4926189430
Další informace

Historical Context: This Æ Tetradrachm was issued during the brief reign of Attambelos IV, king of Characene, a strategically vital client kingdom of the Parthian Empire situated at the head of the Persian Gulf. Reigning from approximately 60 to 62 CE, Attambelos IV maintained Characene's role as a crucial maritime trade hub connecting Mesopotamia with India and the Arabian Peninsula. His coinage reflects the kingdom's continued economic prosperity and its unique position, blending Parthian suzerainty with a distinct local identity.

Artistry: While the specific engraver remains anonymous, typical for Characene coinage, this piece adheres to the established Hellenistic-Parthian stylistic tradition. Obverse designs invariably feature a diademed portrait of the king, often depicted with a somewhat stylized, almost provincial realism characteristic of the region. The reverse typically displays a seated or standing deity, frequently Herakles, rendered in a robust, if sometimes less refined, manner. The overall design conveys royal authority and local religious veneration.

Technical/Grading: Struck in bronze, this tetradrachm weighs 15.47 grams, consistent with the denomination. Common high-points for wear or strike weakness include the king's diadem, hair, nose, and the musculature or drapery of the reverse figure. Characene bronze issues frequently exhibit varying strike quality, with some degree of off-centering, irregular flan shapes, and occasional areas of flatness being common. A strong strike would show crisp details on the portrait and full rendering of the reverse motif, though such examples are rarer.

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