Danh mục
| Đơn vị phát hành | Kings of Bithynia |
|---|---|
| Năm | 230 BC - 149 BC |
| Loại | Standard circulation coin |
| Mệnh giá | |
| Tiền tệ | Drachm |
| Chất liệu | Bronze |
| Trọng lượng | 4.63 g |
| Đường kính | 16 mm |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | Variable alignment ↺ |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | Recueil#22-23 Greek#19 7#631 |
| Mô tả mặt trước | Head of Hermes to right, wearing petasos. |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | Kerykeion. |
| Chữ viết mặt sau | Greek |
| Chữ khắc mặt sau |
ΒΑΣΙΛΕΩΣ ΠΡΟΥΣΙΟΥ (Translation: King Prusias) |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (230 BC - 149 BC) - - |
| ID Numisquare | 4398275860 |
| Thông tin bổ sung |
Historical Context: This Æ issue dates from the Hellenistic period, specifically within the reigns of either Prusias I (c. 228-182 BC) or Prusias II (c. 182-149 BC), both significant kings of Bithynia. These monarchs oversaw a period of relative prosperity and strategic maneuvering amidst the great Hellenistic powers and the rising influence of Rome. Such bronze coinage served as the backbone of the Bithynian economy, facilitating daily commerce and asserting royal authority throughout the kingdom. Its production reflects the state's need for a stable local currency.
Artistry: While the specific engraver remains anonymous, the coin exemplifies the Hellenistic stylistic school prevalent in Asia Minor. Numismatic art of this era often featured idealized yet realistic royal portraits on the obverse, typically depicting the king with an expressive countenance and finely rendered hair. The reverse design, though unspecified, would likely have featured a local deity, a mythological symbol, or an animal sacred to Bithynia, executed with a blend of classical tradition and contemporary dynamism.
Technical/Grading: Struck on a bronze flan weighing 4.63 grams and measuring 16 millimeters, this coin presents typical challenges for Hellenistic bronzes. High-points for a royal portrait would include the hair, brow, and cheekbones, which are often the first areas to show wear or weakness in strike. The overall strike quality can vary, with bronzes frequently exhibiting less precision than their silver counterparts, potentially showing slight off-centering, minor planchet irregularities, or areas of flatness due to uneven die pressure.