Katalog
| Emitent | Caeni (Thrace) |
|---|---|
| Rok | 130 BC - 100 BC |
| Typ | Standard circulation coin |
| Hodnota | |
| Měna | Attic drachm |
| Složení | Bronze |
| Hmotnost | 3.38 g |
| Průměr | 17 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | Variable alignment ↺ |
| Rytci | |
| V oběhu do | |
| Reference | CN type#5210 1#C4760 3.2#1734 |
| Popis líce | Laureate head of Zeus, right. |
|---|---|
| Písmo líce | |
| Opis líce | |
| Popis rubu | Quiver with a bow and arrows. |
| Písmo rubu | Greek |
| Opis rubu | ΒΑΣΙΛΕΩ ΜΟΣΤΙΔΟΣ |
| Hrana | |
| Mincovna | |
| Náklad |
ND (130 BC - 100 BC) - - |
| ID Numisquare | 3252848400 |
| Další informace |
Historical Context: This Æ issue of Mostis, dynast of the Caeni in Thrace, dates to the late Hellenistic period (130 BC - 100 BC). During this tumultuous era, Thracian rulers navigated increasing Roman influence in the Balkans while asserting their local sovereignty. Mostis's coinage, though modest in denomination, serves as vital archaeological evidence for the economic activity and political independence of the Caeni, demonstrating their capacity for self-governance and the maintenance of a distinct regional identity amidst external pressures from both the Roman Republic and other Hellenistic powers.
Artistry: The artistry of Mostis's bronzes generally reflects a provincial interpretation of broader Hellenistic numismatic traditions. While specific engravers remain anonymous, the stylistic school leans towards a functional yet recognizable rendering, likely executed by local die-cutters. Obverse designs commonly feature a portrait of the ruler or a local deity, often Dionysus or Apollo, rendered with varying degrees of naturalism. The reverse typically displays a cultic symbol, an animal, or an attribute associated with the obverse figure, conveying dynastic or religious significance within the Thracian cultural context.
Technical/Grading: This bronze coin, weighing 3.38 gg and measuring 17 mm, aligns with standard specifications for Mostis's smaller denominations. Typical high-points for strike and wear include the highest relief elements of the obverse portraiture (e.g., hair, diadem, nose) and the central motif of the reverse design. Technical strike quality can exhibit variability, with common occurrences of minor off-centering or irregular flans. A well-preserved example would present a relatively full strike with clear details on both sides, indicative of careful die preparation and striking.