See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

Æ - Antiochus IV and Iotape Corycus

Issuer Kingdom of Commagene
Year 38-52
Type Log in to see details
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Weight Log in to see details
Diameter Log in to see details
Thickness Log in to see details
Shape Log in to see details
Technique Log in to see details
Orientation Medal alignment ↑↑
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Log in to see details
Obverse script Log in to see details
Obverse lettering Log in to see details
Reverse description Standing figure of Artemis facing right in a dynamic hunting pose, depicted nude or lightly draped, drawing a bow with arms extended. The goddess stands on a ground line, the composition conveying motion and strength in the Hellenistic tradition. The ethnic legend ΚΩΡΥΚΙΩΤΩΝ is divided vertically in the field to the left and right of the figure, identifying this issue as coinage of the Corycians.
Reverse script Log in to see details
Reverse lettering Log in to see details
Edge Log in to see details
Mint Log in to see details
Mintage ND (38-52)
Additional information

Antiochus IV of Commagene had an unusual relationship with Rome — deposed by Caligula in 38 AD, then reinstated by Claudius, he ruled a client kingdom whose continued existence depended entirely on imperial favor. Iotape was his sister-wife, a dynastic pairing rooted in Achaemenid tradition that the Commagenian royal house maintained across generations. Coins naming both rulers simultaneously are relatively scarce, as joint issues of this kind were not consistently produced throughout the reign.

Corycus, as a mint city in Cilicia under Commagenian influence during this period, adds a geographic wrinkle that distinguishes this piece from the more common Samosata issues.

YOU MAY ALSO LIKE