Каталог
| Эмитент | Hamsavati, Kingdom of |
|---|---|
| Год | 500-600 |
| Тип | Standard circulation coin |
| Номинал | |
| Валюта | |
| Состав | Silver |
| Вес | 9.75 g |
| Диаметр | |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | Medal alignment ↑↑ |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | Mitch EA#521/24 |
| Описание аверса | Hamsavati Conch Symbol |
|---|---|
| Письменность аверса | |
| Надписи аверса | |
| Описание реверса | Srivasta with ankus, double pellets. |
| Письменность реверса | |
| Надписи реверса | |
| Гурт | Plain |
| Монетный двор | |
| Тираж |
ND (500-600) - - |
| ID Numisquare | 6214893340 |
| Дополнительная информация |
Historical Context: This 88 Rati silver coin originates from the Hamsavati Kingdom, flourishing 500-600 AD. This post-Gupta era saw numerous independent regional powers emerge, asserting sovereignty. The Hamsavati Kingdom, likely in eastern India, issued its own coinage to signify autonomy. The 88 Rati weight standard highlights adherence to indigenous metrology, underscoring the kingdom's economic self-reliance and distinct regional identity amidst political fragmentation. Such coinage functioned as both currency and a potent symbol of independence.
Artistry: The artistic execution of this Hamsavati coin aligns with ancient Indian numismatic traditions, prioritizing symbolic representation over realistic portraiture. While the engraver is anonymous, stylistic schools of this era often featured zoomorphic or anthropomorphic deities, or abstract symbols from local culture. Given the kingdom's name, a 'hamsa' (swan or goose) motif, symbolizing purity, likely formed a central design element. The aesthetic would be characterized by a stylized, bold central device, possibly surrounded by simpler legends.
Technical/Grading: Struck in silver at 9.75 grams, this coin closely adheres to its 88 Rati standard. Technical strike qualities often show variability, including irregular flan shapes and potential off-center strikes, characteristic of ancient hand-striking methods. High-points for wear typically involve the most raised elements of the central design, such as a head or prominent animal features. A well-preserved example would display clear details in these areas, with legible symbols and a relatively even strike, reflecting good die quality.