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80 Heller Krems - EDNA)

Uitgever Erste Deutsch-Österreichische Notgeldausstellung (EDNA), Krems an der Donau
Jaar 1920
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Rectangular
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Opschrift voorzijde 1. DEUTSCHÖSTERREICHISCHE NOTGELDAUSSTELLUNG
KREMS AUG. SEPT. 1920
80 HELLER
ZU GUNSTEN DER HEIMBEFÖRDERUNG UNSERER ARMEN KRIEGSGEFANGENEN
TOMSCHIK
Beschrijving keerzijde Printed in pale blue on cream paper, the reverse bears the edition notation '3. Auflage.' at upper left, with the denomination stated as 'Achtzig 80 Heller' in large Gothic script set between horizontal ruled lines. A text block in period German script explains that the sum constitutes a charitable donation for the repatriation and welfare of prisoner-of-war compatriots and will not be redeemed as currency, with the issuing authority identified at the foot as '"Edna", Erste deutsch-öst. Notgeldausstellung Krems a/D. 1920'. The obverse design is faintly visible as a ghost impression through the paper.
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

EDNA — the Erste Deutsch-Österreichische Notgeldausstellung — was an exhibition held in Krems in 1920 specifically organized around the notgeld phenomenon itself. Notes issued under its banner were produced for collectors attending the exhibition, not for any genuine payment need, which puts them in a peculiar category: emergency currency issued to commemorate emergency currency.

The Tomschik attribution is notable. Julius Tomschik was a Viennese graphic artist whose work appeared across several Austrian notgeld series during this period, and his involvement here reflects the deliberate aesthetic ambition of exhibition-grade notgeld — these were designed to be kept, not spent.

The JPR0474c suffix indicates a variant within the Jaksch/Pick classification for this issue.

MISSCHIEN OOK INTERESSANT