Catalogus
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| Uitgever | Casa de Moneda de Chile |
|---|---|
| Jaar | 1810-1811 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | 27.0674 g |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | FERDIN VII DEI GRATIA 1811 |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
These transitional pieces were struck in Santiago under Spanish colonial authority at the precise moment the independence movement was fracturing loyalties across the captaincy general. The "imaginary" bust designation reflects a practical problem: Chilean engravers had no approved portrait dies for Fernando VII following his abdication under Napoleonic pressure in 1808, so they improvised a laureate likeness from earlier models rather than wait for official matrices to arrive from Spain — which, given the political chaos of the Peninsula, might never have come.
The two-year window closed when Santiago's cabildo abierto of 1811 accelerated the push toward autonomous governance, making this among the last unambiguously royalist silver struck in Chile.