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75 Pfennig

Uitgever Stadt Naumburg an der Saale (City of Naumburg an der Saale)
Jaar 1921
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Paper
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde The obverse is printed in multicolour with a dark grey-blue header panel bearing the Gothic script title 'Gutschein der Stadt Naumburg a. Saale' and the denomination 'FÜNFUNDSIEBZIG PFENNIG' in a letterpress band below. A central circular vignette set within an elaborate acanthus and hop-vine scrollwork frame contains the Naumburg municipal coat of arms — a red key and red sword crossed saltire — against a guilloche underprint ground; flanking the central device are two cartouches in green and gold each bearing the numeral '75'. The lower portion carries a two-column redemption text in German script signed by the Magistrat, with a serial number at lower left.
Opschrift voorzijde Gutschein der Stadt Naumburg a. Saale
über
FÜNFUNDSIEBZIG PFENNIG
AUSGEGEBEN IM JAHRE 1921
Dieser Gutschein wird an allen Städtischen Kassen in Zahlung genomen. Er verliert seine Gültigkeit 1 Monat nach erfolgter Bekanntgabe. Der Magistrat
Beschrijving keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

Naumburg an der Saale was among hundreds of German municipalities forced into emergency currency production during the inflationary spiral of the early 1920s, when the Reichsbank could not keep pace with demand for small-denomination notes. This particular Notgeld series was designed by Heinz Schießl and printed by Gebrüder Parcus in Munich — a pairing that appears repeatedly in Bavarian-produced Notgeld, as Parcus cultivated a stable of regional artists for exactly this kind of municipal contract work.

Schießl was a Munich-based commercial artist whose output leaned toward the decorative woodcut aesthetic popular in German graphic design of the period.

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