Catalogo
| Emittente | Bank of England |
|---|---|
| Anno | 1778-1807 |
| Tipo | Accedi per vedere i dettagli |
| Valore | Accedi per vedere i dettagli |
| Valuta | Accedi per vedere i dettagli |
| Composizione | Accedi per vedere i dettagli |
| Dimensioni | 195 × 120 mm |
| Forma | Accedi per vedere i dettagli |
| Stampatore | Accedi per vedere i dettagli |
| Disegnatore/i | Accedi per vedere i dettagli |
| Incisore/i | Accedi per vedere i dettagli |
| In circolazione fino al | Accedi per vedere i dettagli |
| Riferimento/i | Accedi per vedere i dettagli |
| Descrizione del dritto | A vignette of Britannia is positioned at the upper left, rendered in intaglio with the characteristic seated figure holding a spear and oval shield. The body of the note is occupied by a handwritten and letterpress promise-of-payment text issued by the Governor and Company of the Bank of England, with the denomination SEVENTY POUNDS expressed in words. This is a so-called 'White Note', printed on plain uncoloured paper with minimal decorative elements beyond the Britannia device. |
|---|---|
| Legenda del dritto | 1783 I Promise to pay to _ or Bearer on Demand the Sum of SEVENTY London on the _ day of _ 17_ For the Govr and Compa of the Bank of Englan[d] £SEVENTY Ent.d |
| Descrizione del rovescio | Accedi per vedere i dettagli |
| Legenda del rovescio | Accedi per vedere i dettagli |
| Firma/e | Accedi per vedere i dettagli |
| Tipo di protezione | Accedi per vedere i dettagli |
| Descrizione della protezione | Accedi per vedere i dettagli |
| Varianti | Accedi per vedere i dettagli |
| Commenti |
The "White Notes" — so called for their plain, unprinted reverse — were the Bank of England's workhorse instruments for high-value transactions throughout the late Georgian period. These were not notes in the popular sense; they circulated almost exclusively among merchants, attorneys, and the financial houses of the City, rarely passing through more than a handful of hands before being presented for payment and cancelled. The £70 denomination is among the more unusual in the series, sitting awkwardly between the round-figure values that dominated commercial use.
Forgery was a persistent problem with these notes during the Napoleonic Wars period, and the Bank prosecuted forgers aggressively — sometimes capitally. The design's very plainness, paradoxically, made imitation easier.