600 Réis - José I Province of Minas Gerais, Bahia Mint
| Đơn vị phát hành | Brazil |
|---|---|
| Năm | 1752-1768 |
| Loại | Standard circulation coin |
| Mệnh giá | 600 Réis |
| Tiền tệ | Real (1654-1799) |
| Chất liệu | Silver (.917) |
| Trọng lượng | 18.11 g |
| Đường kính | 35 mm |
| Độ dày | |
| Hình dạng | Round |
| Kỹ thuật | Milled |
| Hướng | Medal alignment ↑↑ |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | KM#179, Bentes#198 |
| Mô tả mặt trước | J between flowers topped by royal crown. Value and date between dots. |
|---|---|
| Chữ viết mặt trước | Latin |
| Chữ khắc mặt trước | J 600 1754 |
| Mô tả mặt sau | An armillary sphere in front of the Order of Christ cross, with the B mintmark. |
| Chữ viết mặt sau | Latin |
| Chữ khắc mặt sau |
SVBQ. SIGN. NATA. STAB. (Translation: Born under a steady sign.) |
| Cạnh | Reeded. |
| Xưởng đúc |
B Bahia, modern-day Salvador de Bahia, Brazil (1694-1698, 1714-1834) |
| Số lượng đúc |
1752 B - Bentes 198.01 - 1754 B - Bentes 198.02 - 1756 B - Bentes 198.03 - 1757 B - Bentes 198.04 - 1758 B - Bentes 198.05 - 1760 B - Bentes 198.06 - 1768 B - Bentes 198.07; Rare. - |
| ID Numisquare | 1412576950 |
| Thông tin bổ sung |
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Historical Context: This 600 Réis silver coin was issued under Dom José I, King of Portugal (1750-1777). This era saw Brazil's vast gold and diamond wealth from Minas Gerais significantly fuel the Portuguese Empire. As a silver denomination, it was crucial for internal colonial trade, circulating alongside gold coinage within resource-rich territories. Minted at the Bahia Mint in Salvador, it served colonial administration, highlighting Brazil's economic role.
Artistry: The coin's design reflects prevailing European Baroque and early Rococo numismatic styles. The obverse features a laureate and draped bust of King José I, typically facing right, encircled by his royal titulature. The reverse displays the crowned shield of Portugal, flanked by "600" and the date, with the "B" mintmark for Bahia below. Though specific engravers are largely anonymous, the aesthetic adheres to established