Catalogus
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| Uitgever | Banco Nacional Ultramarino |
|---|---|
| Jaar | 1959 |
| Type | Log in om details te zien |
| Waarde | 60 Escudos |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | BANCO NACIONAL ULTRAMARINO 60 SESSENTA ESCUDOS (Translation: National Bank Overseas Sixty Escudos) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Portrait of Afonso de Albuquerque. |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Banco Nacional Ultramarino was the Portuguese colonial note-issuing authority for multiple overseas territories simultaneously, and the 60 Escudos denomination is distinctly awkward — sixty is not a natural monetary unit, and its existence reflects the BNU's habit of issuing denominations calibrated to local wage and commodity structures in Portuguese Guinea rather than metropolitan convenience.
Thomas De La Rue produced the series to their usual intaglio standard. The single watermark security reflects what was considered adequate for a colonial peripheral circulation in the late 1950s, before independence pressures accelerated currency reform across Portuguese Africa.