Catalogus
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| Uitgever | Brunswick-Lüneburg-Celle |
|---|---|
| Jaar | 1660 |
| Type | Log in om details te zien |
| Waarde | 6 Thalers |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Latin |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Plain |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Christian Ludwig's Ausbeute ("yield") issues were struck directly from silver extracted at the Harz mining operations, a practice that served both as a financial instrument and a pointed political advertisement of ducal control over the region's mineral wealth. The Löser format — these large, multi-thaler presentation pieces — was never intended for commerce. They circulated among courts and treasuries as diplomatic gifts and were occasionally used to settle debts between princes at face value, a fiction everyone politely maintained.
The Welter 1482 designation places this among the scarcer die marriages of the 1660 Harz series. Survivors in problem-free condition are thin on the ground; the format's sheer mass made these vulnerable to later melting when silver was needed.