Catalogus
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| Uitgever | England |
|---|---|
| Jaar | 1567-1568 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Round |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | A quartered royal shield of arms — England and France quarterly — superimposed over a long cross fourchée that extends to the inner circle, dividing the legend. The regal date appears in two parts above the shield, split by the cross, reading 15 67. A lis mintmark precedes the reverse legend, which encircles the entire design within a beaded inner circle. The heraldic execution reflects the precise engraving capability afforded by the milled production process. |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Elizabeth I's milled coinage was produced under the direction of Eloy Mestrelle, a French mechanic who introduced screw-press technology to the Tower Mint around 1561. The experiment was short-lived. Mestrelle was dismissed by 1572 — later hanged for counterfeiting — and hand hammering resumed as the dominant production method for decades. These milled sixpences, struck across just a handful of years, represent the only sustained attempt at mechanized coin production in England until the Blondeau experiment under the Commonwealth nearly a century later.
The lis mintmark places this piece firmly in the 1567–68 window of the milled series.