Каталог
| Эмитент | Angola |
|---|---|
| Год | 1762-1770 |
| Тип | Standard circulation coin |
| Номинал | 6 Macutas (300) |
| Валюта | Real (18th century-1914) |
| Состав | Silver (.917) |
| Вес | 8.75 g |
| Диаметр | 29.36 mm |
| Толщина | 1.47 mm |
| Форма | Round |
| Техника | Milled |
| Ориентация | |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | KM#15, Gomes#Jo.11.0x |
| Описание аверса | |
|---|---|
| Письменность аверса | Latin |
| Надписи аверса | JOSEPHUS·I·D·G·REX·P·ET·D·GUINEAE· |
| Описание реверса | |
| Письменность реверса | Latin |
| Надписи реверса |
AFRICA·PORTUGUEZA·1770 MACUTAS 6 (Translation: Portuguese Africa) |
| Гурт | Milled |
| Монетный двор | |
| Тираж |
1762 - Jo.11.01 - 1763 - Jo.11.02 - 1770 - Jo.11.03 - 10 000 |
| ID Numisquare | 3143969410 |
| Дополнительная информация |
Historical Context: The 6 Macutas coin of José I (1750-1777) for Angola reflects a pivotal period in Portuguese history. José I, often guided by the Marquis of Pombal, oversaw post-1755 Lisbon earthquake reforms and colonial consolidation. Angola, a vital overseas territory, was central to the transatlantic slave trade and resource extraction. This coinage facilitated internal colonial commerce and asserted metropolitan authority, underscoring Portugal's imperial ambitions in Africa during the mid-18th century.
Artistry: The design adheres to conventional Portuguese monarchical numismatic iconography of the mid-18th century. While specific engravers are often anonymous for colonial issues, dies were typically produced at the Casa da Moeda in Lisbon. The obverse features a draped bust of King José I, facing right, encircled by his royal titles and the date. The reverse displays the crowned armorial shield of Portugal, incorporating the denomination "6 MACUTAS." The style, rooted in Baroque tradition, maintains a functional aesthetic for circulating coinage.
Technical/Grading: Struck in .917 fine silver, weighing 8.75 grams and measuring 29.36 millimeters, the 6 Macutas is a substantial silver issue. For grading, high-point wear on the obverse manifests on the king's hair, ear, and drapery folds. On the reverse, the crown and central shield elements are most susceptible to attrition. Strikes can vary; colonial production conditions sometimes led to minor planchet irregularities or uneven impressions, though detail is generally well-preserved on higher-grade examples.