目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | Half-length frontal effigy of the Madonna depicted with a nimbus, holding the Christ Child to her right. The initials R.C. and L.A. arc symmetrically across the upper field. The numeral '6', denoting the face value, appears in the exergue below the figure. The design is rendered in the Byzantine-influenced Venetian style typical of late 17th-century copper coinage. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | *R*C***L*A* *6* |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
The bagattino was Venice's workhorse small change, and by the late seventeenth century the denomination had been debased and restruck so many times that the Senate periodically ordered mass recalls to prevent counterfeits — themselves often indistinguishable from official issues — from overwhelming the market. The 6 bagattini piece occupied an awkward middle position in Venetian copper coinage, worth just enough to matter in daily market transactions but too low to attract careful handling.
KM#367 is attributed to the dogeship of Alvise Contarini, whose term ran from 1676 to 1684.