Catalogus
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| Uitgever | Bank of Korea |
|---|---|
| Jaar | 1988 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | 2.45 mm |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Two boys dressed in traditional Korean hanbok garments are depicted in the central field engaged in the folk game of top spinning (paengi-chigi): one child kneels in the foreground setting a top upon the ground, while the second stands behind him in a dynamic pose, whip raised aloft to strike and spin the top. A small spinning top is visible between them on the ground. To the upper left, the official emblem of the 1988 Seoul Olympics — comprising the stylised Samtaeguk symbol above the five Olympic rings — appears in the field. The circumferential legend reads 'XXIV OLYMPIAD SEOUL 1988' along the upper border, with the denomination '5000 WON' inscribed along the lower border. |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | XXIV OLYMPIAD SEOUL 1988 5000 WON |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
This piece belongs to the Bank of Korea's 1988 Seoul Olympics commemorative program, one of the most extensive coin series ever produced for a single Games — spanning dozens of individual types across multiple metals. The spinning top motif draws on *paengi-chigi*, a traditional Korean game with documented history stretching back centuries, selected deliberately to foreground indigenous Korean culture for an international audience at a moment when South Korea was aggressively projecting its national identity on the world stage.
KM#71 is among the more modestly collected pieces from the series, largely overshadowed by the higher-denomination gold issues.